About the Book
Ellen Davis’s husband left her for another woman. Post-divorce, she’s trying to reassert her independence and lands a job as a reporter for her local newspaper. One of her assignments is covering weekly items on the police blotter, which is how she gets to know Lieutenant Pete Sakura—a handsome, witty Japanese- American Ellen is drawn to immediately.
Another of Ellen’s assignments is interviewing for the paper’s “Around The Town” column, and in this capacity, she meets Graham and Sophia Clarke, newcomers to the community. He’s an administrator at Columbia; she’s his beautiful Greek wife. Ellen and Sophia become fast friends, so it comes as a great shock when Sophia ends up dead.
Sophia Clarke is found murdered, and to all appearances, Ellen is the last person to have seen her alive. When Ellen’s fingerprints are found on the murder weapon, she’s arrested, and evidence steadily mounts against her. Ellen takes matters into her own hands as her romantic feelings for Pete intensify. Closing this case could either save Ellen or lead to her destruction.
Review
For me, the vibe of this story is best exemplified in a seedy, little rundown hotel in the West Village called the Kingsley Arms. Our heroine, Ellen Davis, is on the run. She needs somewhere to shack up for the night, and stumbles across this nook of an inn as if it appeared out the misty shadows of a Dickens novel. It's a great locale—certainly what comes to mind when one thinks of a cozy mystery.
I felt myself stepping through the door with Ellen and into the lobby littered with paperbacks that patrons left behind. The front desk clerk hands over a key, but not before urging the signing of an old-fashioned clothbound guestbook. No computers here, folks. Instead, you take a seat among the overstuffed armchairs and watch the automatic elevator go up and down. It's cool how the Kingsley Arms feels more like a location out of Sherlock Holmes's London rather than the hipster environs surrounding New York's Washington Square Park.
Which is where Ellen was before, when Pete, her boyfriend found her settling in among the park's homeless population for the night. Did I mention Pete's a cop? That's where things get sticky, but he whisks her away at once and into the confines of a hole-in-the-wall pizza joint that's bustling with young college students. You see, Ellen's on the lam. She's currently on trial for killing one woman while tonight she stands accused of severely injuring another. The kicker is that she didn't commit either of those heinous acts, yet that very night, an APB goes out on her, and until Pete tracks her down she's literally stranded high and dry with nowhere else to go.
So Pete hits up the local souvenir shop, camouflaging her appearance under a bulky NYU sweatshirt and tucking her hair under a Mets baseball cap. Ellen needs time—after she informs him that she's working a lead that may corroborate her innocence—and Pete intends to give it to her. He really wants to spend the night with her, and deep down she wants him to. Yet instead, she refuses his offer of comfort, barricading her heart in order to protect him from getting dragged down with her. After a quick romp in the sheets, Pete, feeling her emotionally withdraw from him, leaves, and Ellen, now alone in the hotel room bed, immediately regrets her decision to tough it out alone, believing she has no other choice.
For me, this a standout scene because it provides a nice slice of New York City life. I could picture the environment Ellen and Pete were in as I was reading it. It jumped right off the page and for me, that's what good writing is all about. Claudia Riess plays well to the grittiness of the crime genre while amping up the tension of how it's all going to go down. Will Ellen turn herself in or will she get caught? Pick it up and find out!
Excerpts
After navigating past the desks, she knocked on the door of the cubicle. No response. The second, more deliberate, rap was answered with an impatient “Come!”
Ellen entered the office and was somewhat taken aback by the sight of an attractive Asian man in shirt-sleeves awkwardly poised by the side of his desk, arms out, legs spread one behind the other, the front one slightly bent, the rear rigidly locked. He looked, she thought, as if he were trying to keep his balance on a skateboard. His attention was fixed on an open book sitting at the edge of his desk. “Give me a second,” he said testily, without taking his eyes off the book and at the same time adjusting the position of his front foot to a more pigeon-toed angle.
“I won’t ask what you’re doing,” Ellen said.
“Smart.” There was a sound of raised voices coming from the outer room. “The door!”
She closed it. “However, maybe you’d like to know what I’m doing?”
He ignored her question. “Damn, I’m not getting it.” He glanced up. “Do me a favor, take a look at number fifty and tell me what the hell is wrong here.”
Ellen approached the desk and peered down at the open book. A two-page spread of photographs showed a man in what looked like an usher’s uniform demonstrating a series of exercises. “Is this tai chi?”
“This is a pain in the ass. Could you look at the picture, tell me where I’m off, please?”
“‘Fair Lady works at Shuttles,’” she read aloud. She looked up from the page at him then back down again. “I see where you are. Figure fifty-A. It says: ‘Elbow bent, your right hand comes to your center line, fingers pinched together…’” She looked up. “For starters, your fingers aren’t pinched together.”
“Just hold the book up so I can see it from a better angle, okay?”
She held the book, show-and-tell style. He went through a variety of disconnected motions, clearly becoming more frustrated. “Shit.”
Ellen had formed a perception of the Japanese male as meditative, controlled, mysterious, soft-spoken, one who quietly went about transcending the material world while politely manipulating it. She had never realized she harbored this fully defined and fallacious stereotype until that moment, as she was looking at what appeared to be its antithesis. “If your phone rings, should I answer it?”
“Forget it.” He dropped the pose, took the book from her and put it back on the desk. “I’m all out of sync.”
“Now I’ll ask. What are you doing?”
“Getting my goddamn yin and yang together. My doctor tells me I have an ulcer and prescribes pills, but I don’t like pills. I’m taking up the eastern approach.”
“But isn’t tai chi Chinese?”
“Yeah, so?”
“‘Sakura’ sounds like a Japanese name.”
“Let me ask you a question. You ever eat chow mein?”
“Well, yes.”
“I rest my case.” He waved her toward the chair on the other side of the desk and dropped down into his own. “Sit.”
She remained on her feet. “I’m Ellen Davis. I was told you had the data for the Chronicle’s ‘Blotter’ column. I’m just here to collect it.”
He threw up a hand. “What’s the point of that column? All it does is stigmatize the poor saps who appear in it. There’s no investigation of circumstances, no disclaimers stating charges could be erroneous. Just a cold-blooded list of citations.”
“It’s supposed to serve as a deterrent,” she said without conviction. “Actually, I don’t particularly like the column myself, but I don’t make up the rules. I’m sorry I messed up your exercise routine. May I have the material, please?”
She became aware of herself as an unattached, uncompromised individual as she once was at Penn. She sensed the boundaries of her being as clearly as she felt the hem of her knit dress pull tightly against her legs with each step she took. It was as if she had never been married, had instead dressed for an interview and walked straight out of west Philadelphia into Morningside Heights.
Mid-block between 109 and 108 Streets, as she was passing a shoe store and scanning the view across the way, her attention was drawn to the bright blue awning of Charlie’s Snack Bar. At that moment the door to the restaurant opened, and a tall young woman with cropped red hair and wearing a tight black turtleneck sweater, clingy black pants and black cowboy boots, stepped out into the daylight. The girl stood aside to allow the man behind her to pass, and as he emerged completely into the sunlight, Ellen recognized Graham. She was about to hail him, when he took a step toward the redhead and Ellen realized he was with her. Unable to tear her focus from the scene or insinuate herself into it, she backed up into the shadow cast by the overhanging eave of the shoe store.
While Graham snapped down and adjusted the removable sun-visors of his eyeglasses, the young woman reached into the breast pocket of his blazer, drew out a pair of sunglasses he must have been holding for her, and put them on, in the process grazing her breasts against his left elbow. The act defined them as intimate friends, yet the distance springing up between them immediately afterward seemed devised to refute it. They stood apart talking to each other, their postures stiff and formal, their not touching as conspicuous as an open embrace.
Ellen watched them as her years at Penn were sucked into a black hole, and all she could remember was her husband Kevin dropping the bomb, telling her he was leaving her. Watching Graham and the redhead across the street was like catching the discovery scene she had missed, seeing it replayed for her benefit, like a burlesque in which she was both captive audience and object of scorn.
Almost at once she felt a connection with Sophia.
Sophia pulled her hands away and struck out at Ellen in one continuous movement, throwing herself off balance and stumbling sideways. She stared in horror at the gouge one of her nails had made on Ellen’s chest, and Ellen, stunned by the violence and not yet feeling the pain, gazed in disbelief at the drop of blood tracking toward the scalloped edge of her white satin bustier.
“Go—get out of here,” Sophia rasped. “I’m afraid what I might do to you. Get out, get out.”
The blood trickled onto the rim of smooth white fabric, forming a small, irregular stain. Ellen looked up at Sophia. The woman she thought she knew had become a trapped animal, her eyes wary-wild.
A sharp pain from the nick in her chest jolted her from her numbing inertia. She moved quickly from the room, feeling the tears coming, holding them back, postponing them as she ran silently down the hall. She descended the steps with blazing deliberation, her pace quick and even, her focus on reaching the door and disappearing into the sheltering night. She could feel her eyes, static-wide in bewildered alarm, betraying her attempt to appear in total control. Still, she focused straight ahead, concentrating on her goal, hearing Anna calling her name but moving through the sound, pacing herself to simulate haste without flight as she sliced through the clear zone of the foyer and pushed open the storm door. Midway across the porch she collided with an incoming guest, all pearls and black silk, the woman’s staccatoed “Shit!” like a gunshot in an open field of combat.
Picking up speed, she hurtled down the bluestone drive, anticipating the sound of the engine starting up even before she could spot her car.
***
Tuesday, March 13. First day in court. The jury sat knit-browed and entranced, leaning forward so as not to miss a word, not yet settled in their role of deliberative body. To Ellen, they looked as if they’d been caught off guard at the supermarket, a rainbow assortment of shoppers rounded up one afternoon and transported to a box at the opera, best seats in the house.
Ellen sat in a heavy, slat-back chair drawn up close to a long oak table. She was wearing a gray suit and paisley print blouse because Rosenthal had told her to wear something conservative but not somber. The skirt buckled and slid around her waist every time she moved because in the last two months she’d lost ten pounds from under-eating and over-exercising. As she’d taken her seat in the courtroom, she’d snagged her pantyhose on a rough spot on the table leg and felt the rip crawl up her leg, making her feel exposed to the prying eyes in the room. She’d been unable to choose earrings that morning, vacillating between small and large, shiny and dull, gold and silver, fixating on this final aspect of her attire as if she could determine the decision of the jury by choosing the politically correct objects to hang on her earlobes. When Rosenthal blew his car horn in the driveway she’d grabbed for familiarity, the small gold hoops, before allowing herself to be whisked off to the mind-boggling unknown.
Sitting next to her at the oak table, “Try to relax,” Rosenthal whispered in her ear, leaning toward and away from her in one smooth, condensed motion.
Ellen sat back in the chair, her rigid spine meeting hard wood, the word “relax” banned from her body’s vocabulary. Through an impromptu technique of auto-suggestion and deep breathing, she was barely managing to bring under control the strangulating tension in her neck and the explosive blood-humming in her ears. It was not her lawyer’s fault she hadn’t been prepared for Mark Gilbert’s speech. Rosenthal had described the prosecutor’s meticulous approach, but there was no way he could have prepared her for the immediacy of the event: the way Gilbert cocked his left hip as he stood facing the jury; how his dark eyes seemed to glow from some deep passion or conviction; how he flashed her alternating looks of consternation and pity; how he stressed syllables unexpectedly, so that his words jumped against the wall of her chest—“enter the room,” “points of the scissors,” “homicidal violence”; how his brow suddenly furrowed as he reminded the jury—“You and I, we represent the People. We have been charged not to avenge a wrong, but to deliver justice.”
***
“Come up to the bedroom.”
“Yes.”
“Stay the night.”
“Yes.”
“Hurry.” She wanted to be taken on the spot, jammed against the table or pinned to the floor, but delay would set the act apart. She could foresee it, her first experience of absolute exposure—the loss of her true virginity on her sex-worn bed. The chaste and devilish nuances of amazing contradiction lifted the event to the peak of desire.
He was one step behind her, holding on to her hand as they climbed the staircase. She was aware of every footfall, every breath, every sound of this outwardly conventional drama. She led him down the hall, almost turning in at the wrong doorway, almost forgetting where she slept, his presence casting an aura of unfamiliarity on the surroundings. He caught her hesitation and uttered a short, nervous laugh, sharing her bewilderment.
As they entered her bedroom, it seemed to lose all connection to her past, as if it had come into existence at that very moment just to harbor them.
In rapt silence they helped each other with the shedding of clothes, marveling at the unhurried pace of the ritual, as if their bodies had agreed to temper urgency with curiosity.
They lay on the white comforter, barely disturbing it in their intent exploration, the upheavals taking place inwardly, while over audacious globes and rises and along newly accessible furrows, their fingers, lips, tongues concentrated movement in targeted pressures, exacting exquisite modulations of sensation from each focal point.
***
Semblance of Guilt can be purchased at:
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runs July 1-30, 2016
Prices/Formats:
99¢ $3.99 ebook, $21.99 paperback, $39.95 hardcover
Genre: Mystery
Pages: 328
Release: April 5, 2016
Publisher: Archway
ISBN: 9781480827851
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"A determined amateur detective who'll garner fans with her refusal to either back down or give up." -
Kirkus Reviews
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About the Author
Claudia Riess, a Vassar graduate, has worked in the editorial departments of The New Yorker and Holt Rinehart and Winston. On her first novel, Reclining Nude, Oliver Sacks, M.D. commented: “exquisite—and delicate.” Her second, art suspense Stolen Light earned: “complex and intriguing” —Kirkus Review
Links to connect with Claudia:
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